CLA’s massive hardware arsenal includes racks and racks of the most coveted compression units in music history. His hard-hitting mixes have transformed the radio soundscape, and introduced a new sonic vocabulary along the way. | Tim McGraw | Faith Hill | Tina Turner | Rod Stewart | Celine Dion | Santana | Steve Winwood | James Brown For almost thirty years, Chris has energized the sound of popular music. in my library that sound better on raw instrument and vocal tracks than the CLA-2A. The plug-in also contains presets developed by Chris Lord-Alge.
#Cla 2a vocal software#
on vocals(which is what the LA-2A is known for) just use Vocal rider. CLA-2A C1 Compressor RCompressor SSL Compressor H-Compressor. The software sounds great on guitars and bass, and brings out the best of vocal performances. Green Day | U2 | Dave Matthews Band | Daughtry | Pink | Leona Lewis | Avril Lavigne | My Chemical Romance | All American Rejects | Nickelback | Rob Thomas | Snow Patrol | Ray LaMontagne | Miley Cyrus | Jonas Bros. CLA-2A Compressor / Limiter - 29 All-time classic compressor from the 60s SHOP. About Chris Lord-Alge Grammy®-winner Chris Lord-Alge is the mixing engineer of choice for pop and rock royalty. With a Frequency Response of 30Hz to 15kHz (+/- 1dB) and < 0.5% THD, the original provided up to 40dB of gain limiting. However, many consider its most unique feature to be its program dependent, multi-stage release, which was achieved using a 2-stage photo-electric cell. It offers warmth and even a slightly edgy distortion when driven hard. (Tubes, however, do, and we made sure to model that distortion.) Additionally, the inspiration for the CLA-2A’s frequency-dependent attack and response speed made it an instant favorite of audio engineers. Like the original, the CLA-2A offers a very transparent compression curve (around 3:1), as well as a slow attack time (around 10ms). A versatile plugin with more time control. A great plugin emulation of one of the best opto-designs. Softtube Tube-Tech CL1B - a famous opto-comp. Very simple controls and automatic times. The tube emulators in it help deliver a warm, analog sound that will allow you to really open up the body and depth of most instruments. CLA-3A: Classic Compressor Match-Up The LA-2A and LA-3A are two of the most famous compressors of all time and have long been favorites for vocals, bass and other instruments.
#Cla 2a vocal cracked#
This is the full cracked version of the software. But this is not a very big issue because this compressor is often used for vocals and we know that it is good to do a low-cut on vocals up to 80Hz.
#Cla 2a vocal Pc#
Unlike many other designs, electro-luminescent circuitry doesn’t add distortion when it modulates the sound. CLA-2A from the Waves CLA bundle A classic opto design and famous for its vocal performance. There are not many compressors in my library that sound better on raw instrument and vocal tracks than the CLA-2A. Waves CLA Classic Compressors Bundle v9.2.0 PC and MAC. Initially intended for use in broadcast, the original used an electro-luminescent optical attenuator called “T4” for gain reduction. origin Old English cla th, related to Dutch kleed and German Kleid. The CLA-2A is modeled on a hand-wired, tube-based compressor originally produced by Teletronix in the early 1960s. 2a part of the year when a particular sport is not played.
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